Articles tagged with: Theater

Review: Noises Off

Review: Noises Off

Theatre Memphis’s current production of Noises Off is a joy from start to finish.


Review: Spring Awakening

Review: Spring Awakening

Sitting here, in the twenty-first century, it's easy to take the sexual revolution for granted.

Project: Motion presents

Project: Motion presents "AXIS: Long Distance Affairs"

This weekend, as part of Project: Motion's 25th season, the dance company presents AXIS: Long Distance Affairs at the Evergreen Theater. The title refers to the fact that all three pieces in the work have been choreographed by outside directors: jhon r. stronks of Houston, Amy O'Neal of Seattle, and Robin Sanders of Memphis's own Out Loud Artistry.

Review: Present Laughter

Review: Present Laughter

People say a performance is "over the top" like it's a bad thing.

What is God of Carnage?

What is God of Carnage?

*Explicit Theatre Advisory*

Though it may sound like a war drama, it's actually a comedy that gets its regional premier this week at Playhouse on the Square. Written by French playwright Yasmina Reza and translated by Christopher Hampton, God of Carnage won the Tony Award for Best Play in 2009. It’s the script that became the screenplay for the feature film Carnage (2011) starring Kate Winslet, Jodie Foster, John C. Reilly, and Christoph Waltz.

The premise is that two couples whose eleven-year-old sons have gotten into a fight at a playground meet to discuss how they’ll handle the injuries. The tension and the comedy come from the combination of the very different personalities in the room: the society wife who barely knows herself because of the social role that she must play, the realist who is so absorbed with his work that he must take phone calls at even the most inappropriate times, the social crusader who wants to believe in the best in everyone, and her husband whose masculinity pops up to embarrass her from time to time, but he’s just being honest.

They all start off trying to be polite but can’t help but push each other’s buttons since they each have their own perspective on the situation and they each believe themselves to be right. They start to drink and the masks of civility drop. The truth that none of them are as good or right as they think, works its way out in unattractive and entertaining ways.  As the New York Times said about the Broadway production, “Never underestimate the pleasure of watching really good actors behaving terribly.”

Playhouse on the Square’s production features Michael Gravois (The Drowsy Chaperone; August: Osage County) Kim Justis (The Rabbit Hole; August Osage County); Barclay Roberts  (Dividing the Estate; How I Learned to Drive), and Erin Shelton (Crumbs from the Table of Joy) under the direction of Irene Crist (From Up Here).

As the couples verbally and almost physically destroy each other, the audience is forced to laugh at themselves and just admit that when pushed, the child within all of us will surface. God of Carnage runs March 16- April 1 at Playhouse on the Square. Opening weekend tickets are $20. The Pay-What-You-Can performance is on March 22nd. Visit playhouseonthesquare.org or call 901-726-4656 for tickets and schedule.

The Memphis Comedy Festival is On!

The Memphis Comedy Festival is On!

Sure, Memphis is known for music and food, but there's a new festival whose goal is to shed light on the city’s burgeoning comedy scene.

Review: God Of Carnage

Review: God Of Carnage

Playhouse on the Square's production of Yasmina Reza's God of Carnage is riveting, appalling, hilarious, disturbing, and in one unforgettable scene viscerally disgusting.

Checking Out The Mousetrap

Checking Out The Mousetrap

Agatha Christie's The Mousetrap has been running continuously for 60 years, the longest initial run of any play in history. The show, a murder mystery, is famous for its surprise ending, which the audience is asked not to reveal at the end of each performance. (I ain't saying.)

Review: Next to Normal

Review: Next to Normal

As my Intro to Theatre teacher always tells me, plays are always about the human condition. Next To Normal, currently showing at Playhouse on the Square, is definitely an example of some of the stranger corners of the human condition. While Diana (Leah Bray Nichols) and husband Dan (David Foster) attempt to get a handle on her mental illness, their daughter Natalie (Kelsey Hopkins) struggles with growing up in the midst of a family crisis.

Depicting mental illness is not traditional material for a musical, and Diana’s mental breakdowns are the focus of the family’s dilemma. The themes of family troubles and trying to move on are smartly interwoven together, and there are plenty of bright and happy moments to balance out the darkness. The lighting provided superb guide through the emotions in each scene and act.

The scene that most stood out to me was Diana’s first session with Dr. Fine (Seth Grugle). When the doctor asks a question, he is suddenly transformed into rock star—at least in Diana’s mind. While this moment is hilarious, it is also a vulnerable moment for Diana that we experience with her.

The last thing I thought about during the performance was the music, and I say this as a compliment. The different genres of music represented work seamlessly within the overall play. The orchestral placement, as well as the music selection, helps sell the performance, making Next To Normal a seamless total package.

Next To Normal runs at Playhouse On The Square through Sunday, February 12. Photo by Chris Neely Photography.