| Film Review: "Micmacs" |
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| Memphis - Film News |
| Written by Memphis Flyer |
| Tuesday, 20 July 2010 19:08 |
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In Jean-Pierre Jeunet's Micmacs, there are two big weapons manufacturers in the French town where Bazil (Dany Boon) lives, and he has been victimized by both: Bazil's father was killed by a landmine made by one, and Bazil is mortally wounded by a bullet made by the other.
Homeless and destitute, Bazil falls in with a gang of other discarded people on the fringes of society, living in a junkyard: an ex-con, a contortionist, a former human cannonball, a human calculator, a machinery artist. They all have questionable talents, except when they are united. Bazil enlists his new friends to help him take down the arms dealers. With a series of serious practical jokes that unfold like Rube Goldberg machines, the gang pits the two weapons-manufacturer CEOs against each other and stand back to watch the damage escalate — until an exiled African dictator complicates matters. Micmacs earns its many physical-acting nods to Buster Keaton, Charlie Chaplin, and The Three Stooges. Boon has a lanky body and an everyman mug but he comes alive with frequent poetic physical moires. |

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